“Mistreatin’ Mama” is one of the templates of the modern blues sound, and it was covered by a litany of blues legends like: Robert Johnson, Big Bill Broonzy, and Leadbelly. Jaybird Coleman, armed with only a harmonica and a mono microphone – you can feel him pouring his soul into every note of “Mistreatin’ Mama.” Remastered from the original 78, there still remains a slow turning crackle that adds authenticity to this iconic mp3.
Mistreatin’ Mama (play/download mp3)
William Moore’s 78s are collector items. His music has been covered by a linty of modern blues and rock groups. And his music has been sampled by hip-hop and electronic producers. “One Way Gal” – a song that was sampled in hip-hop – is a gentle tune that William sings with the up-most sincerity. Recorded in Chicago late January 1928.
“One Way Gal” (play/download mp3)
In the early 1960s Syd Barrett decided to juxtapose Pink Anderson’s first name with another obscure bluesman (Floyd Council), to form the name of his band Pink Floyd. Two decades before Barrett was born, Columbia Records recorded two 78s with Pink Anderson & Simmie Dooley in 1928. After releasing “Every Day In The Week Blues” (the ‘A’ side of the second 78), Pink Anderson toured and didn’t record again until the 1950s. “Every Day In The Week Blues” is an upbeat number with both Pink Anderson and Simmie Dooley playing guitar and singing verses. This is a beautiful tune that deserves to be heard.
“Every Day in the Week Blues“ (play/download mp3)
Butterbeans and Susie were never a household name in the middle and upper class, however they were one of the most successful comedic music acts on the black vaudeville circuit. Part of the couple’s (they were given $50 and married on stage as part of a comic bit) popularity came because they recorded and toured with many early-jazz greats, such as King Oliver. “Kiss Me Sweet” is an amorous tune about longing for a kiss from your lover, and baby, Susie sings it so sweet.
“Kiss Me Sweet“ (play/download mp3)
Alberta Hunter was a pioneering African-American singer, the first woman to erase the lines between soul, jazz, and pop music. “Nobody Knows the Way I Feel This Morning” recorded in 1921, is a sermon giving agency to women all over the world who are stuck with no good cheating men. “Nobody Knows the Way I Feel This Morning” has been covered by many great female African-American singers such as Dinah Washington and Aretha Franklin.
“Nobody Knows the Way I Feel This Morning“ (play/download mp3)
My hat is off to whomever remastered this mp3 from the original 78. Tom Dickson’s voice shines like the clear blue sky after a rain storm. “Labor Blues” was recorded in Memphis, February 1928, is truly a lost treasure, and this is my labor of love that I share this mp3 with you.
“Labor Blues“ (play/download mp3)
It’s not often you hear falsetto in a blues recording. This was one of the many standout traits that made Skip James a glowingly original artist of the Delta region. More importantly, his odd style of guitar tuning influenced some of rock’s legends, including Eric Clapton. “Cherry Ball Blues” is a lamentation about losing love, a theme repeated over and over in rock n’ roll and any genre of popular music.
“Cherry Ball Blues“ (play/download mp3)
Blind Lemon Jefferson had a natural gift of crafting catchy-chord progressions and an accessible vocal range that complements every recording he ever made. “Rabbit Foot Blues” is one of his most popular titles, even earning a commissioned album cover. This mp3 was ripped from the original 78, and the crackle and hiss of this recording makes you feel like you’re listening to an original pressing of “Rabbit Foot Blues.” Enjoy!
“Rabbit Foot Blues“ (play/download mp3)
Kokomo Arnold’s left-handed slide guitar playing and his vocals, delivered with the intensity and conviction as a sermon from a Sunday preacher, made his records sound 20-years ahead of their time. Recorded in 1934, “Sissy Man Blues” has a place in gay-music history, with the famous, and perhaps the most lucidly sung phrase on the record, “Lord if you can’t send me no woman/please send me some sissy man.”
“Sissy Man Blues“ (play/download mp3)
This is an absolutely beautiful recording of the The Mississippi Sheiks’ song to agency, “I’ll Be Gone, Long Gone!” Recorded at the hight of their popularity, this cut’s fidelity lets The Sheiks’ unique blend of country and fiddle music really shine.
“I’ll Be Gone, Long Gone“ (play/download mp3)